I’m comparing seemingly identical inks to see how similar they really are. This week: Bungubox Piano Mahogany and Robert Oster Australian Syrah.
Ink Dupes #7: Bungubox and Robert Oster
Posted in Ink
Category: Stationery
While volunteering at the 2019 Baltimore Pen Show, I was gifted a lovely red, lever-fill, vintage Esterbrook pen. Admittedly, I know next-to-nothing about vintage Esterbrooks. I also have a penchant for finding out as much about my vintage pens as possible.
That said, it should be no surprise that I set out to identify and date (as accurately as possible) my new Esterbrook as soon as I was able.
Because I had fun doing so, and I found the information interesting, I figured I’d share it with you in the hopes that my research would prove useful to others.
2019 BWIPS Volunteering
Posted in Pen Shows
As I mentioned in my last post, this was my first time as pen show volunteer staff. It’s an experience I look forward to repeating many times in the future.
When Corinne, the show organizer, put out a call to the DC Pen Crew for volunteers, I eagerly signed up. My reasoning, beyond wanting to help out, was that if I was volunteering, I wouldn’t be spending money.
That theory worked out well. When I received the schedule, I was happy to see myself listed for Saturday afternoon and Sunday morning. That shift schedule worked so well that I’m hoping for the same next year.
2019 Baltimore Pen Show
Posted in Pen Shows
Alright, my third pen show of the year. Allow me to start of by saying that the Baltimore Washington International Pen Show (BWIPS) is my favorite pen show. I’ll do my best to describe and rate it (since I haven’t done so previously) in an unbiased manner, but I don’t know if I’ll be wholly successful.
To start, this was a show with several firsts for me. It was the first time I’d attended a full pen show, the first time I’d stayed at the show hotel, the first time I’d attended a pen show workshop, and the first time I’d volunteered as part of the show staff.
I’ll cover my volunteering experience in another post. For now, suffice to say it was great. I’m eager to volunteer again next year.
Ink Dupes #6: Sailor and Robert Oster
Posted in Ink
I’m comparing seemingly identical inks to see how similar they really are. This week: Sailor Jentle Waka Uguisu and Robert Oster Jade.
2019 LA Pen Show
Posted in Pen Shows
The Los Angeles Pen Show was the fourth show location I’ve attended (DC, Baltimore, Philly, and now LA). There were a decent number of tables, but the layout was appalling.
We arrived around 10:30, assuming that would allow us to avoid the opening crush of people we’d heard a lot about.
Unfortunately, we arrived to find a line that wound down the corridor, out the door, and about half way down the building. Surprisingly, the line moved fairly quickly, but getting into the show was less than half the battle.
An unconsidered side-effect of arriving after the show had started was a lack of street parking. There wasn’t much to start with, but it was all taken by the time we arrived. Parking at the hotel ended up costing us around $20 for the little time we were there. I don’t want to know what people who stayed the whole day paid.
2019 Philadelphia Pen Show
Posted in Pen Shows
As I sat down to write my post about the LA Pen Show, I realized I’d never written a post about the Philly show. Therefore, even though it’s over a month late, allow me to share with you my experiences at the Philly show.
We drove up from the DC area with a friend of ours, and, thankfully, there was no real traffic. Upon arriving, I realized how fortunate I am to have the DC and Baltimore shows.
My immediate thought was that the show is overpriced for its size. We paid $13 online (it’s $15 at the door), a single-day price higher than DC, Baltimore, and LA. It’s also smaller than those other three shows.
I will say that the aisles were roomy, on par with Baltimore and far surpassing DC and LA. The selection was fairly evenly dispersed between vintage, new, expensive, and affordable. There was a decent selection of inks. And, for the overall size of the show, a decent number of nibmeisters.
Ink Dupes #5: Bungubox and Bungubox
Posted in Ink
I’m comparing seemingly identical inks to see how similar they really are. This week: Bungubox Kabayaki of the Hamanako Eel and Bungubox Nostalgia.
Ink Dupes #4: Diamine and Montblanc
Posted in Ink
I’m comparing seemingly identical inks to see how similar they really are. This week: Diamine Aqua Blue and Montblanc UNICEF Blue.
Ink Dupes #3: Robert Oster and Diamine
Posted in Ink
I’m comparing seemingly identical inks to see how similar they really are. This week: Robert Oster NG Special ’16 and Diamine Golden Honey.
I’m comparing seemingly identical inks to see how similar they really are. This week: The Real Teal and Hisoku.
Ink Dupes #1: Montblanc and Diamine
Posted in Ink
Welcome to Ink Dupes. I’ll warn you now, this series will most likely feature fairly irregular posts. Make sure you subscribe to my blog or to the fountain pen category so you don’t miss an issue.
This week, I’m starting with red — my favorite color — with Diamine Matador and Montblanc Corn Poppy Red.
A bit of a backstory — since you all know I’m so fond of stories. I noticed a while ago that some inks are nearly identical to others. When Ink Journal shared an article about chromatography in their Flex Nib Friday newsletter, I was curious to find out just how similar these seemingly identical inks really are.
After the first comparison, it occurred to me that I’m not the only one who’d be interested in knowing which inks are similar (or identical) in color. So, I’ll be sharing my comparisons with you all. I’m hoping it will help those who are looking for expensive or hard-to-find inks.
That said, if you’re curious about how two inks compare, let me know. I may have (or be able to get) both inks for comparison.
Green Nib Update
Posted in Fountain Pens
I mentioned in my 2018 DC Pen Show post that I purchased a green nib from Hinze Pen Company to match my Green Ivies pen from 18111. At the time, I thought I was purchasing an anodized nib. Turns out, it’s lacquered steel, which explains my experience. At the show, I was warned by a few people that colored nibs tend to experience flaking. Sadly, that warning held true for my nib.
I waited a while to write this update, because I was hoping that I could give you a positive result. At first it seemed as though the flaking was minor, and, if it had stayed like that, I could have lived with it.
With the first and second cleaning (both within the first month), a bit of green flaked off either side of the nib slit on the outer edge of the tines. It was noticeable, but it wasn’t really obvious, so I hoped that that would be the end of the flaking, and I’d have a good nib.
However, with the most recent cleaning, I decided to change the color in my pen. I found, as I cleaned it, that the ink was being particularly stubborn. After 10+ minutes of flushing water through it, I decided to pop it in my ultrasonic cleaner.
Fountain Pen Series Wrap-Up
Posted in Fountain Pens, Ink, Paper, Pen Shows, Storage, and Stores
This is it for my fountain pen series. I’ve gathered links to every issue of the series into one, easy-to-share post. Enjoy!
Fountain Pen 301: DIY Pen Cases
Posted in Storage
Happy Fountain Pen Friday, and welcome to the final issue of Fountain Pen 301. There will be a final, summary issue of my series next week. But this week, I’m covering pen cases.
Speaking from experience, it can be tempting to look at Rickshaw Bagworks or Nock Co. and think, “I can do that.” If the thought stems from the idea that you can save money by making it yourself, let me tell you, unless you’re a master sewer, you’re wrong.Between the materials and the time you’ll expend, you’ll end up spending much more in the long run!
However, if you’re interested in the challenge or the process, I’ve got some hints for you.
Fountain Pen 301: Pen Making
Posted in Fountain Pens
Happy Fountain Pen Friday, and welcome to another Fountain Pen 301. This week, I’ll be discussing pen making, both pouring your own resin blanks and turning pens.
Once again, rather than relying on my own (nearly nonexistent) knowledge for this topic, I reached out to some significantly more knowledgeable pen friends for help. Thank you very much to Chet Herbert of Herbert Pen Co. (fabulous man and gorgeous pens!) who was kind enough to take time out of his busy schedule to share some of his expertise. And thank you, also, to Brian Chu of Red Dragon Pen Co. for pointing me in the direction of some fabulous information.
Fountain Pen 301: DIY Nib Work
Posted in Fountain Pens
Happy Fountain Pen Friday, and welcome to the final set of my fountain pen series. Fountain Pen 301 is very different to its predecessors. 301 will be short, only three entries, and will give you some advice and suggestions on where to start if you want to become part of the maker community.
In this first issue, I’ll be discussing nib work, which seems to be the next step in fountain pen ownership, based on my pen friends, even if you don’t stick with it. There seems to be great interest in the fountain pen community right now in learning nib work, so I’m hoping some of this information will help those of you who want to know more.
Rather than relying on my own (nearly nonexistent) knowledge for this topic, I reached out to some significantly more knowledgeable pen friends for help.
I’ve always been a fan of hand writing. I can type almost as fast as I can think, so there’s nothing to slow me down. Sometimes, that can be a good thing. But when I want to devote some thought to what I’m writing, I switch to hand writing so I have to slow down.
This is especially useful when I’m writing books and/or blog posts. Writing “stream of consciousness” isn’t typically great when you want what you’re writing to make sense. It’s much better, for me, to slow down some and make sure that what I’m writing is cohesive and coherent.
The biggest downside to hand-writing, though, is hand fatigue. Over the years, I’ve developed several different grips for holding my writing implement to increase the amount I can write in one go.
But the pressure and effort required to write with pencils and ballpoint pens increases hand fatigue. Fountain pens help alleviate that with the lack of pressure needed to write. Something about not needing to press down to write makes it easier to hold the pen in a looser grip, which also helps with hand fatigue.
Fountain pens, perhaps because of their design, or our association of nibs with older things, also tend to make people want to write nicer. They certainly did for me and many of my pen friends. But, despite my great love of fountain pens today, it’s a relatively recent hobby for me.
Explaining Pens
Posted in Fountain Pens
“You spent HOW much on a pen?” Every pen person has heard it. I’ve found a way to avoid it. Find out how to explain pens (or anything) to non-pen people.
Fountain Pen 201: Selling Pens
Posted in Fountain Pens
Welcome back to Fountain Pen 201, and happy Fountain Pen Friday! I originally intended to end Fountain Pen 201 last week, but it occurred to me that I haven’t really said anything about selling pens. The result of that brain blast is this final Fountain Pen 201 issue.
At some point, a pen you bought early on in your fountain pen journey is likely to no longer suit your needs or new preferences. Depending on how much you spent on it, you may choose to give it to a pen newbie friend, donate it (might I suggest looking into Pay it Forward?), or sell it.
Selling a fountain pen is easier than you may think. Once you’ve priced your pen, there are multiple avenues available to sell it, some better than others.